Wednesday, April 21, 2010
Baker Pier
Back to night shooting, this time of the Golden Gate from the end of the pier at Fort Baker. Alas, not much in the way of success to report here. The wind had really strengthened by this time and in reviewing the shots I took afterwards then far to many of them were blurred. It was also difficult, I found, to find unique views that would make an interesting shot. There is a large rock under the bridge that can provide some foreground interest but I just couldn't get something that really worked and the above was about the best of the bunch.
Oh well - tomorrow we are set for a trip to Alcatraz! Never been there before so I have to say I was very much looking forward to it.
Monday, April 19, 2010
Battery Spencer
After a quick pit-stop back to the hotel, we caught up with the rest of the group at Battery Spencer, the next stop after Point Benito lighthouse. From a strategic standpoint, when it came to protecting the Golden Gate bridge then Battery Spencer won the top prize. The location, high on the headlands and right in front of the bridge, meant that it had the perfect field of fire in order to protect the approaches to the Golden Gate from the Pacific. And that also means that today, anyone visiting, will also have an incredible view of both the bridge and the city beyond.
It would heave been fascinating to see the battery fully staffed, armed and ready for action, but it seems that it only flourished (if that's the right word) for some 45 years after construction was finished in 1897. However, you can get a good idea of what it was like here and from the image below which is of one of the three, 12 inch guns that formed the main defensive artillery (image found here as part of another detailed article on the battery.)

After spending an hour or so it was time to take a break, get some food and head off to Baker Pier for some night shots.
Thursday, April 15, 2010
Sentinel
As augured, the weather progressively got worse as we headed out of Muir Woods, so much so that by the time we reached Point Benito it was blowing hard and starting to rain.
For those of you who have never been there, access to the lighthouse is via a tunnel that can be closed, followed by a wooden suspension bridge of such age that no more than two people are allowed on it at any one time (NB: it's due for replacement in the next 12 months but that means access is likely to go away for a while during construction).

Fortunately, there weren't too many visitors when we were there, although having said that it had become much more crowded by the time we left in the early afternoon.
I still find photographing these kinds of landscapey things to be tough going, especially when the light is nothing special. This means you are forced back to find different takes to take, other ways of doing something unique. The other thing I find is that now I've been there once then next time around I'd have a much better idea of what I wanted to shoot. Alas, I cant' quite yet figure out how to make that happen while I am there!
Wednesday, April 14, 2010
Standing Stone
Saturday morning dawned, so we headed off early to Muir Woods to begin the photo-workshop. I've not been there before so was interested to see what was in store for us.
Getting there early when the park opened (8 am) turned out to be a good move. The place was absolutely packed by the time we left a few hours later with cars parked all along the access roads into the woods. Not sure if this is usual or down to some sort of event but regardless the message is clear: get there early on the weekend!
We spent close to four hours working our way around the paths and trying different views. The above was taken on the first bridge overlooking a small stream. Yeah, it's a little overdone, and I'll take another go at it at some point, but at least it gives you an idea of the whole slow exposure/moving water thing (an effect that's overused these days, usually to try and add something of interest to an otherwise uninteresting scene.) Overall, though, it was a diverse mix of old and new growth forest, was easy to walk around (boardwalks or paths the whole way) and interesting enough to offer-up many different photographic challenges, not the least of which was avoiding the "too wide/too busy" view of trees and shrubs!
Lunch was a sandwich at the visitor's center (really quite reasonable) and then off to the next stop: Point Bonita lighthouse. Alas, the grey morning had by now developed in to a grey, rainy morning with evidence of a stiffening breeze. Far from promising, in short, especially given where we were heading.
San Francisco Skyline
On the way back from dinner in Sausalito, we stopped off to try some night time photography. S knew of a location that offered the opportunity to get some foreground interest into the frame by including old pilings into the view, so that's where we went.
Getting things sharp is always one of the challenges with long exposures - the one above was 25 seconds long - but with views like this you also have to deal with other hazards like planes and, as shown here, boats! Looking at the original file then it's sharp ... ish, but could be better. We were on decking out in front of an office building (that's presently unoccupied) and it wasn't 100% vibration free, especially if anyone moved at all during the exposure. Next time I will try using mirror lock up as well as being more religious about using a remote for firing the shutter to see if that gets the final image to be that little bit crisper. However, not much I can do about passing container ships other than be a bit more patient!
On the plus side, at least the seagull stayed fairly still!
Tuesday, April 13, 2010
Cavallo Point, Marin
Having barely got back from Death Valley (and I will return to posting some more shots from there shortly) it was very soon time to head off to Marin and San Francisco for a photo workshop.
In addition to the workshop, we were looking forward to spending a couple of nights at the Cavallo Point hotel, set in the National Park Service's Fort Baker. (I actually spent some time photographing here at the other San Francisco workshop I did back last September with Chris Honeysett.)
In addition to the workshop, we were looking forward to spending a couple of nights at the Cavallo Point hotel, set in the National Park Service's Fort Baker. (I actually spent some time photographing here at the other San Francisco workshop I did back last September with Chris Honeysett.)
The weather on Friday was glorious. Thanks to some nifty booking work by S, we were granted early check-in and so arrived around 1 pm. And really, I have no idea why hotels do do this more often because we immediately headed to the restaurant where, thanks to a lunch bill of around a hundred bucks, the hotel was immediately in-the-black on the whole deal. (In fact, the restaurant bills we saw were all around that level or higher, except for breakfast which was included in the room rate on the package that we had.)
We stayed in one of the modern rooms, set in blocks above the main hotel buildings. The view was a fine one - smack across to the Golden Gate Bridge - and the room was very comfortable (though neither of us were fans of the sliding door on the bathroom!)
It was fun to stay in a location where there were built-in activities: walking round the harbour, going out onto the pier where people were crab fishing, climbing on the old fortifications and gun emplacements and strolling up to where work was being done on the bridge. All that is a definite plus, especially as it allows more leeway for a glass or two of wine with lunch without then having to fret about driving somewhere. Bliss.
For dinner we went into Sausalito, a ten minute drive up the coast, to eat at Sushi Ran. Once again, not cheap but still a great place to eat. Would highly recommend this place to anyone who loves sushi/sashimi/sake. They say on the menu that some items are flown-in daily having been bought that morning at the Tsukiji market in Tokyo, a claim I can well believe. Price? Easily over $100 for two - but well worth it.
Tuesday, April 6, 2010
Seen Better Days
No, not me, the car. I asked some Internet chums and the best they could figure out was that it's a 1948 Buick 2 dr. Sounds reasonable to me, so I'm sticking with it!
This baby sits outside the abandoned Eureka Mine out towards Aguereberry Point in Death Valley. Both the mine site and the outlook at Aguereberry are well worth the drive of 2 and 4 miles respectively along a dirt road. However, and despite what it says on various sites, the mine remains sealed off so you can't get into it. Still, the few buildings that are there are unfenced and it's always interesting to see these old claims and hence to get a feel for what it must have been like to work them (damn hard.)
No idea if the Buick was Pete's own car, but I like to think so!
Monday, April 5, 2010
Death Valley Coyote
In order to try and find more in the way of wildflower displays, we headed towards the southern end of the park, past Lake Manly and towards Ashford Mill, where reports said that things were in bloom. However, along the way we found this chap, standing by the side of the road and seemingly unconcerned by the passing traffic. Indeed, it was easy to get the sense that he (she?) had figured out humans could be an interesting source of food. Hopefully not, because that's no way for a wild animal to behave, of course, and at the very least if the park service decides he's too tame then he'll will be carted off to the back country ... or worse.
After watching him posing for a while, we decided to carry on and leave him to his quest. And just to close the loop, there were indeed more flowers down that way, and though far from being a spectacular display it was nevertheless well worth the drive.
Having said all that, it made a pleasant change to find a wild animal you could photograph easily from the comfort of the driver's seat.
Sunday, April 4, 2010
Achievement
While in the same location as the shot in the previous post, I saw a walker in the far distance on top of a dune and grabbed the above shot before he moved on. Not sure I quite have the balance quite right yet on this one so will have to work on it some more, but it has promise.
As you can see, the Mesquite Dunes rise to quite a reasonable height, for sand piles at least!
Thursday, April 1, 2010
Sun, Sand, No Sea
The journey to Death Valley from the Bay Area runs around 500 miles and takes something like 9 hours (with breaks). We headed off after 9 am and arrived at the hotel around 5:45 pm. As mentioned yesterday, we took route 223 eastwards from I5 in order to take in the building wildflower display in the rolling hills outside of Arvin. S got some good pictures on that road both on the way there and back, but I have to admit defeat in shooting flowers, regardless of the conditions. However, plenty of others were stopped along the roadside happily clicking away so I'm in the minority.
Upon arrival we went out and had a look at Badwater for a sunset location. Nothing spectacular, but a good scouting exercise for what/where/when to shoot over the coming days.
Next morning, I got up early and headed off to shoot the Mesquite Dunes at sunrise. It was very windy at the hotel but thankfully much calmer over at the dune site and glad to say they have now built a new car park alongside the road to Stovepipe Wells. However, there is a downside to making the location more obvious - it was quite crowded. There was a complete party of photographers already up on the dunes, as well as numerous solo shooters. Hmm, had to rethink plans to try and find some clear space to work in. Headed south round the dunes themselves (much easier way to go) and then headed inland. Had to hustle a bit as the sun was rising fast and I was already a bit late. I found a reasonable location and was rewarded with some beautiful light with which to attack the challenge of photographing big hills of sand!
Overall, a fun morning and glad I was still able to find things to shoot without having to spend ages afterwards in Photoshop deleting random bodies from the vistas. Example result shown above.
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